Love and Death :: Essays Papers

Love and Death Love and devastation are often associated with each other in artistic depictions of homosexual existence. In movies love is sometimes said to be the only topic worth living for. In Christian literature ending has been prophesized as the release from this hard world and the gateway to a world of last peace and love. Sherwood Anderson in his book Winesburg, Ohio, changes the expected metaphor or radio link between goal and love. In both stories tomcat Willard plays a tokenish part. He does however give an example of the connection between death and love in his own distorted manner. Tom prides himself, falsely, on the ideal that he is an important man around town. He has always imagine himself rising up in the political scene in Winesburg, or even becoming Governor. His wife, Elizabeth Willard is want death to him. In his mind, she looms over his dreams casting a shadow that he blames for his meager existence. In the story mother, he describ es her presence to be ghostly and when he thinks of her he swears angrily (39). sometimes when he is out in the street he turns to look rotter him suddenly as if her ghost and the spirit of the hotel were their casting their shadow on him even in the streets. Tom connects Elizabeth and the hotel to his inability to find success. His life is dominated by the affairs of the shabby hotel. The hotel is a legacy of Elizabeths lets she walks around in the hotel like its her coffin. So for Tom their presence is a reminder of his uneventful life. They are represent the death of his hopes and dreams. He at one point says, Damn such a life, damn it (39), in a context that places blame on Elizabeth and the hotel. It is as if with the death of Elizabeth you might see Tom picturing himself selling the hotel, and vent to Ohios capital to become serious statesman.In Mother, Elizabeth is looking for a different kind of liberation. Elizabeths dreams for her own life have commodious ago died. Yet she clings to life for the sake of one thought. She is trying to correspond that her son (George Willard) does not become a lifeless thing like herself.